Hello and welcome to my first
and last commission job. Approximately ages
ago, my mate Nick decided he wanted the Banebeasts "Chimaera". He really, really wanted it. And then he asked if
I’d be willing to paint it. For money.
Me: And you want me to paint
it, like, nicely?
Nick: That’s kindof the point,
yes.
Me: Judging by the photo on
the website, it looks quite big.
Nick: Yep.
Me: It might take me a while.
Nick: Sure.
Me: A long while.
Nick: OK.
Me: Which means commissioning
it might cost a fair bit.
I quoted Nick a big number that
would have me working for over 70 hours at a low wage. I figured at this point
Nick would give up and let me go back to having no money ever.
Nick: Can I pay in
instalments?
Clearly I hadn’t appreciated
quite how much Nick wanted this model.
Also, I suspect Nick didn’t
realise quite how long it’d take me to finish. Admittedly this is more because
I’m a dreadful person to hire as a painter, since my brain was challenged to
the absolute limit of endurance by this model. It’s more like painting five big
and completely different models and then blending them all together. Several of
these elements required me to make up techniques previously unknown to me. There was also a lot of research.
I have never, for instance, needed
to blend two different types of varnish into each other to create a fade from
satin to gloss (hallo, scorpion tail).
Other demanding things
included the request that I paint the dragon head blue. Blue? BLUE? BLUE LIZARD
HEAD? SCREW YOU, COMMISIONER MAN PERSON. I didn’t even know blue was a thing
lizards could be.
Toot toot, Google image search
to the rescue. Blue iguanas all up in this shizznit.
With the rest of the model,
Nick gave me total freedom. Being a masochist, I decided to blend all the way
from amber to jet black, rather than just going for ye
classic big black scorpion o’ doom. I really am my own worst enemy.
The goat head was a much
simpler affair; I tried to emulate the look of an ibex. Definitely the easiest
part of the model.
On the subject of the model
itself, as much as it might take an age to paint, the sculpt itself is pretty
boss sausage in almost every respect. Every respect except its danglies. If you
sculpt a lion’s junk, I have to know how to paint a lion’s junk, which means I
have to image search a lion’s junk, which means a) oh god the search history,
and b) I now know that balls are balls, but the sausage looks nothing like that
in real life. In fact, it’s more of a... actually you probably don’t need to
know that. You aren’t painting a little resin lion’s little resin bits.
Assembly was fairly simple;
the individual lion claws were fiddly, and other than that, some sculpting was
needed to mask the joins.
Technique wise, my main
take-home point was painting fur. For me it’s all about starting with a light
white or off-white and using glazes to punt it towards the colour you
want. The mane, for instance, began as a mid brown overbrushed Dheneb Stone and
then drybrushed up to white, followed by five or six successive glazes, each
applied before the other had dried, to effectively wet-blend the shades into
each other. This made it easy to vary the hue of the fur, and kept the colours
vibrant.
The base was something
of a project in and of itself. I didn’t want it to distract attention from the
model (not that too many things could draw
attention away from that thing) but at the same time, couldn’t just have the
thing standing on a patch of perfectly flat ground. Would’ve looked weird.
Besides, I needed to build parts of the base up a little so that all six of its
limbs were connecting fully with the ground. Hence:
I smoothed it all over with
filler, and tried to make the finished product look something like semi-boggy moorland. Here it is from the model’s-eye-view:
And now, finally, it is
finished. Dear sweet Jeebus. To conclude, here are some photos to put things
into scale (beyond the fact that it’s on a base generally reserved for an
Arachnarok).
When confronted with his new
pet, Nick described it as “bang tidy.” Urban Dictionary has subsequently
informed me that this is a good thing.
~Charlie
Spectacular.
ReplyDeleteIn passing, we nominated you chaps for a Liebster award if you weren't already aware. Cracking blog, keep it up!
My thanks! We've had a couple of nominations for a Liebster, and being a big wobbly collective we've been trying to decide on a format for us to answer the questions. Sorry about the lack of response!
DeleteHow much for another Charlie ? The same but on a grey rubble base.
ReplyDeleteI'll shoot you an e-mail, but don't get too excited - painting another one right now would be like climbing a second mountain! :D
DeleteI'm surprised more people haven't commented, thats some stunning work.
ReplyDeleteBlimey, thanks!
DeleteYou talked a little about his aggots, but where is the close up? I'm right in the middle of painting up a couple of bullock's on a mini, and you jibbed out! :D
ReplyDeleteSeriously though, your mate should be absolutely overjoyed to have his miniature painted to that standard. Great job.
Heh, I'd contend that the seventh image had all the necessary information :D
Delete